Stained Glass Suite
By Aidan Coleman
Published 17 March 2022
-- This suite of poems was written for the Red Room Company’s Clubs & Societies Project about the stained glass in St Bartholomew’s Anglican Church, Norwood, SA, 2012
1. Saint George
– After the Heaton, Butler & Bayne Window (Early 20th C)
Sleepy-eyed George
in honeycomb and blue
your dragon popped
and now deflating
curled at the bottom
of this sheer terrarium
as dead as sin is living.
2. On the transportation of the North Window
– The church’s altar (or North) window originally resided at St Peter’s Cathedral in North Adelaide but around 1910 it was dismantled and reassembled in St Bartholomew’s.
Dismantle the beards
and the odd feet,
the green of date palms
and paned faces,
the urgent sky’s banner
and dinner plate haloes;
fracture with care
the bended knees,
the fingers pointing
to already over.
Dis-piece the wing-stumps
of angels’ shoulders,
blunt Christ’s aphorisms:
word from word;
flat-pack and taxi
through electric dusk,
to rise again in the East.
3. Nativity
– After Napier Waller’s “Nativity” Window (1938)
The infant attentive
to Mary:
God struck wordless
by a mother’s love.
And the townsfolk gather –
as at a doorway –
unaware of that red
distant star, that shows up
like a blemish on a scan.
4. Crux
– After Napier Waller’s “Crucifixion” (1941)
Beneath a calm Christ,
these few followers
(like cosmonauts
breathing rarefied air)
And apart
the centurion’s armoured face:
wind-set, incredulous.
5. Two Saints
– After two Heaton, Butler & Bayne Windows of St Alban and St George (Early 20th C)
George a Greek import claimed
but Alban native
to England.
This the Church
of Gladstone, Disraeli.
George enclosed in iron,
his beaked feet
sharper than the dragon’s.
Alban – nonchalant in sandals –
shoulders a river
of blood.
George to kill;
Alban to die.
Heaven’s gates above.