Summertime
By Amanda Anastasi
Published 22 April 2026
The bush has ceased its muttering, as the air tightens
like a string. The birds have flown. The koalas are higher
in the trees, hugging the trunks. The roos are heading
for the river. You are filling a hatchback with what they
say are essentials, before being carried to a new reality.
Every snap underfoot feels as if it were ready to ignite.
The only way to continue is to shut off the attachment
to things. Left behind, a kitchen of brands and plastic
wrap, a still-running TV, cupboard doors flung open
with the abandon of a burglar. All the driveways
in the main town are bare. The cars are moving
in the same direction. You keep driving south, discarding
as you go, until all that will be left is you and the thought
of how you came into this world. You are accompanied
yet you’re alone. You are terrified yet move like the wind.
Again, your plan has dropped for another you do not
understand. You are a wallaby with pricked up ears.
You are the fairywren deep in the tree hollow.
You are now at the mercy of all you tried to control –
the sun, the wind, your body, the heat, your heart.
There will be a time, very soon, when the animal
panic will leave your eyes and you will stop
calling out his name. As the sky turns brown
and the earth erupts into the colour of the sun,
you will face what you must; what you couldn’t before –
the ephemeral home, the watershed, your day of rescue.
‘Summertime’ depicts a landscape and a community affected by bushfire. The experience is deeply transformative, with material and personal loss giving way to the realisation of our connectedness with nature and a renewed will to act. This poem is based on conversations with bushfire-affected Victorians.