'Don't shoot me. I am a British object.'

                                                            James Morrill, 1863


Drawknives. Spar gauge. Caulking irons

and hollow plane. If I play my cards right,

after this voyage I'll be shipwright. The Peruvian,


a beauty of a three-masted barque, cleaves the water

swift. The winds are in our favour this February dawn.

Bound for China with a hold full of coal to trade


for silk and tea. The Captain sets our course for north

and west. For days we skirt the coast, then land recedes

as the southerly blows. One afternoon, without warning,


hard rain that turns into hail - ice large as a man's fist

pounds the deck then shatters. Black clouds roil

as the gale rips into canvas. We fight to lower the sails,


shouting all the while. Rope burns my palms

as rigging snakes upwards. Then the world jars - a great shudder,

an awful splintering of wood - the first mate yells we are aground




Twenty-two's the magic number. I notch the days

with my solitary knife every sunset. Today, a shark:

we take turns to drink its blood before I cut each man


a palm-sized chunk of flesh. Even the Captain's wife

chews it without compunction. Land teases and withdraws.

We are helpless and adrift. Oh the ocean. This hollow sea.




Washed up on this shore. Only five of us left.

The rest in the water, God save their souls. Miller

talks about going for it, for civilisation. All we have:


this canoe, abandoned by natives, its strange markings

long faded by the sun. Don't go, Miller. Between us,

carpenter and apprentice, we fashion oars from driftwood.


The Captain blesses the craft. I say nothing

and turn my face away. We push him out

with the tide. Soon he fades into the waves.




Miller is gone. The boy White is sick,

fever of a sort that leaves him shivering

at noon but drenched in sweat at night.


We lay him out in a shelter cobbled together

from branches and leaves. The Captain scans the horizon

while I comb the bay for food. His wife has found fruit


and drops them from her skirts onto the sand.

They are so bright against the white grains

I cannot stand to look - a noise from the trees - men





* James Morrill was the sole shipwreck survivor from the Peruvian to return to white civilisation after seventeen years of living amongst the Bindal people around what was to become the Townsville area.

Poet and educator Eileen Chong composed 'After the Wreck' especially for Ryan Catholic College, where she engaged 10-14 year-old students in a number of workshops across 4 days. In these workshops, Eileen drew upon Red Room Poetry's Toilet Doors learning resource, which focussed on bringing guerrilla poetry concepts and methods into the classroom.

"Blackout poetry is a great activity for kids of any age," said Eileen. "Some of the teachers got in on the action too and surprised themselves with how much fun they were having! What I love most about this activity is how freeing it is: 'a poem is discovered in play' indeed. And the results can be very moving, unexpected and funny, surprising with their wisdom and inventiveness."