Beginning At Basheer's Coffee Shop
By Ken Bolton
Published 1 January 2021
I talk to Basheer briefly
How-did-the-launch-go?
etcetera.
The anarchists enter
—at least, three guys with beards,
glasses, one steel-rimmed, tech
teachers, I think.
They always sit there.
I sit here, or here.
The women
from the Arts Dept sit there, always
but their numbers
require it
a deal is stitched up
much laughter.
I read the poems
Tranter has sent.
I like them, tho I know nothing
of the sources
I think I’ve never read Ern Malley even,
in his entirety
or Biggles
Lyn! I hear
John call out,
he has really read nothing except Frank O’Hara!
“And Ted Berrigan, John,”
Lyn’s moderating tones
“and you, & Pam, & Forbes & Laurie.” Sometimes I
wonder, I hear John subsiding.
It’s true tho,
isn’t it?
Joyce I am reading at the moment,
playing catch-up.
Am I taking it in?
“My point
entirely,” I hear John again,
an imaginary John
Are all my friends imaginary?
The women
laugh again, loudly.
My vision of John is cartoon
John stands by
a pool
back to me, pretty much
— chinos? not
cargo pants! —
a striped shirt,
sipping a daiquiri
watching the
pool cleaner chug back & forth
against the tiles
dreaming of a machine that would write the
terminals for him (The Terminals)
automatically.
“Automatically”
it’s beginning to seem a word
you don’t hear anymore
the past’s dream of the
future
—we’re there now—
like my dream of JT
tho do they happen automatically
— like everything else
these days?
so it “goes without saying”? —
The real John I saw
a few weeks ago
and now I have his book
where
Biggles meets Ern Malley
as does Louisa May Alcott
“They spoke so frankly in the past” — is one effect
via John’s coupling of the texts
or “lingos”
if I may
permit myself an Australianism
I guess I am an Australian?
& a wistful, unrepentant modernist
‘of some stripe or order’
with the old-fashioned ideas of modernity
(tail fins?)
the anarchists,
I reflect,
resemble the Marx Brothers
as, bearded, they
arrive in America
with identical long
beards
— I remember a beard coming unstuck
as Chico or Harpo drinks water—
this is not quite modernity
or it’s the joke
of one part catching up with the other:
Europe
—Eastern Europe—
(smelly, bearded, un-cool
unsophisticated)
arriving in America
the ‘New’ world, ha ha
America &
‘the Other’
& here my essay begins
the Lars von Trier
vision
of crew-cuts versus the Arab headgear
or, How
could America
become so dumb
after the arrival of the
Marx Bros
tho the bros. could see, then & there, how it
very likely would
#
We dreamed?
we slept?
#
I like the bleak romance of your poem on
Sydney —
‘The Romans’,
is that what it’s called? —
calm
pitiless
taking amusement
— yet careful not to disad-
vantage
the hard done by
victim —
the men in pants with cuffs
(not jeans)
hats, braces,
the pigeons, Hyde Park, St James Station
evoked there—
the Sydney of my past, as if
I age
& witness the passing of something
just before I pass myself.
In one sense. Yes, RIP, pal.
If I did pass myself
one of me twenty seven
the other sixty two & staring at a drunk in
the park
or reading ‘The Romans’
& looking up at the sky
what would ‘I’ say
— hey dad?
Hey son.
Ern Malley:
something of an anarchist
‘himself’
ha ha, aren’t those quote marks ‘funny’?
—like the past.
The generations telling each other jokes they don’t get.
Hey, dad.
Here are the cartoon versions of my friends
:—
[slide show]
interspersed with quotes from Ern Malley;
& my enemies :—
[slide show]
quotes from Frank O’Hara
it’s a plan, I guess
tho where does that leave me
a cartoon in the mind of someone, surely?
a little loved?
or not at all?
dozing
one foot visible, say,
one limb, very quiet,
poking out from the dumpster of history
a very quiet limb
—to quote the past.
Inter island trade begins?