I could start at the end, where I wave 

my legs in the air and say, 

 

you can fuck me now, if you want to, 

but that would be misleading. 

 

In a previous scene, I am driving 

in moonlight, the road 

 

a negative—a strip 

of ermine on velvet. 

 

Some sounds are louder at night:

the swish of gum leaves,

 

each crescent giving up

its minty scent.

 

For weeks I have practiced, 

standing, hours at a time, 

 

on my head, the sun bending 

my shadow. My mistake, 

 

I see now, was in being still.

Trees rarely do this.

 

On my first attempt

they say nothing, 

 

so, I rehearse again, rooting 

my arms in sandy soil, my legs

 

tilting towards the canopy, air 

flexing them at will. 

 

The Red Gums are perplexed. 

Strano, they say, repeatedly, strano,

 

and I can hear their caveat: 

To be a tree you must be born a tree.

 

I wasn’t born a tree. 

I will have to marry in.


Audrey Molloy reads 'Betrothal'