Concrete Country
By Elfie Shiosaki
Published 11 August 2022
I stand on burial grounds
of interconnected freshwater wetlands, swamps and lakes
seasonally flooding cleansing
sheltering water birds, frogs, gilgies and turtles
I stand on burial grounds
drained and filled in arrogant miscalculation
overlaid
vanished
vanquished?
blood drained in a pale-skinned landscape
gate kept by stony Roe and Forrest
I stand on your burial grounds
centuries of debris crush your chest
slow your heart beat
I want you to heave and gasp
Come alive!
I stand on your burial grounds
listening for buried beating
yet only hear
vibrations of a city constructed of steel and reinforced concrete frameworks
and curtain walls of polished stone
am I ‘on-Country’?
(there is no red dirt here on Whadjuk Noongar boodja)
can Country hear me speak?
or is it too loud?
djiti djiti resting on electric wire
its bird song muffled
by car honks, screeching brakes of Transperth buses and early Sunday morning drum and bass
construction sites a wistful incantation to gods of greed
if I scream deep into the bitumen, will you hear me then?
will the water table draw up and flood the city?
I stand on your burial grounds
wasted tears fall on dusty concrete where wetlands used to flow