The sun welds itself to Sunnyholt Road,

lights blur into liquid over the asphalt car park of Parklea Market.

Cars idle, engines hum with their mouths half open,

traffic horns bleed into the thick murmur of chatter.

Wet boxes drip coriander water,

blue tarps snap and belly in the wind like sails caught mid-tack on a reef.

Mangoes bruised from too many hands,

apples polished for someone else’s table.

In the corner crate, something green waits in its own shadow.

 

Its skin is rough,

cool like river stones, beneath a canopy of pandanus.

I trace it the way my grandmother read the stars,

Pattern by pattern, silence by silence.

Tiny hexagons rise and nest under my fingertips,

a geography I could navigate blind.

Each ridge a small hill, each hollow a valley,

as if an island had folded itself into this globe of green.

The surface does not invite softness

it keeps its own counsel,

a guarded map,

a husk that remembers storms.

 

In Nukunuku,

one dropped from my grandmother’s tree

and rolled to my bare feet.

We roasted it on basalt black from a hundred fires,

smoke curling with the smell of coconut husk and rain.

When the flesh split beneath her machete’s silver grin,

she told me:

this is the food that waits for us,

when rice bags empty

or the lagoon sulks and lines come back bare.

We ate until our bellies

rose like full tides,

until hunger forgot the road to our house.

I turn it once more in my palm,

Its heft leaning into the bones of my wrist.

 

Here, the air is frying chicken from the stall out front,

Oil popping in bright little bursts that freckle the air with salt.

My daughter tugs at the hem of my denim skirt,

pointing to blueberries we cannot afford.

The green globe rests in a cardboard cradle,

its price written in red ink

a small wound for the poor mans food.

 

Its scent reaching through the noise

to a yard where trees fed us for nothing,

where our pockets were empty but our branches bowed.

I set it back.

It stays there,

round as the moon over Tongatapu,

waiting for another set of hands

to take home the breadfruit.

 

 

Food carries memory – of people, place, culture and stories. Write a poem about a food and what it carries for you.

Sela Atiola
#30in30 #PoetryMonth

I've thought a lot about what poetry means to me and there just isn't one answer. Poetry has meant different things at different stages of my life and in this present season, it means carrying memory and making sense of it. It's a way of holding on to stories that might otherwise be lost. Some of these stories are beautiful, but some are really painful, but they're all part of who I am and where I come from. And so it allows me to sit with memory and to question it and return to it and understand how it continues to shape me. It's also one of the ways I make meaning of being Tongan in the diaspora, living far from the kingdom of Tonga where my parents and ancestors come from. I'm also a mother and that's really important for me to mention because poetry also means leaving something behind, and I often think about my children reading my work one day and knowing what I stood for and what I believed in and the stories I chose to carry forward. So I hope they will see themselves in my words and understand that they come from people and histories and lands that existed long before them. So for me poetry is about remembering and witnessing and leaving a record of who we were, what we loved, and what we refuse to forget.